Shown, not told
Directing, producing, editing, photography, and creative direction, shown with real footage from set instead of adjectives. This is what hiring Cameron looks like from the inside.
01
Direct
Hundreds of calls a day, no committee.
Music videos and narrative film, treatment through final cut. This is the Face Off set, where the entire production bent around Dwayne Johnson's calendar and every setup was rehearsed before he walked in.
See the finished video02
Produce
One Cadillac. One take. No second chances.
Production is the discipline that makes the impossible schedulable. This is A Beautiful Disaster on Cadillac day: a 1979 Coupe De Ville off a cliff, planned to the minute because there was no second car.
Watch the short film
03
Edit
The film is made in the dark, at 3:30am.
Cutting to the syllable, building twists backwards from the reveal, grading until the frame feels like the song. These frames are from the reel: every one of them went through the same edit bay.
See the filmography
04
Shoot
Build the set, then build the universe.
Photography and ambitious set builds. YODA's futuristic spaceship stage was a full practical build with green-screen windows, then extended into a Star Wars-scale CG world. Production stills by Michael Frazier.
See the photography
05
Creative Direction
The whole picture, not just the picture.
Cameron is the Creative Director of Strange Music's in-house video department in Kansas City, and consults on branding and visual identity for artists and brands, including Tech N9ne's official FIFA World Cup 26 Kansas City anthem.
See the FIFA anthemReady when the song is
Music video, commercial, brand film, photography, or a campaign that needs a spine. Bring what you have; a rough demo counts.
Get in touchMaking a music video? Here's exactly how hiring me works.